Captured52 was born from my interest in photography as contemporary art. However, I always questioned the “value” of limiting a photograph with arbitrary edition sizes, print sizes and pricing structures. Confusing at best and not altogether convincing.

Wouldn’t it stand to reason that more people owning an original photograph, not fewer — further substantiates the work?

With the help of some very talented people we arrived at a simple solution. Sell only big, commanding work. One size, framed, museum quality, at a great price. Available to many— not the rarified few.

Unlike any other art form, photographs connect us to time, to place and to each other. In a connected world, we value the image as object, the power of immersion and the undeniable connection to human emotion.

Peter Johnson

5.2.15

Portland