Howl is a experimental photographic result. Thirty-six poses of a 35mm film partially destroyed by light bring a version of the poem Howl by Allen Ginsberg to take shape on the remaining figures. Some of the images resist, some appear in fragments, others are no longer visible. Resilient bodies are engraved with text, such as hazardous safeguards. Crossed by the same urgency as the typographic roll of On the Road by beat poet Jack Kerouac, images become cohesions between movement, randomness, and encounter.
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